LONDON, March 1, 2025 — Independent filmmaker Norman Busigu, whose documentaries have redefined contemporary African storytelling, announces his third Docu-Film “Jamaica: Africa’s Close Cousin?”. This eagerly anticipated documentary follows his critically acclaimed works “Ghana: Africa’s Exciting Entry Point? (2022)” and “Nigeria: Can Its Youth Shape Its Future? (2023)”, which have been showcased in the UK, Europe and Miami via Soho House.
“Jamaica: Africa’s Close Cousin?” will explore the intricate historical and cultural ties connecting the Caribbean and Africa. Busigu seeks to unravel the connections between these regions, bridging past and present to offer a fresh perspective on identity, heritage, and global Black Consciousness through these intimate conversations. This Docu-Film is set to be his most ambitious work to date, as he sets out to Jamaica for the first time to understand its resonance to Mother Africa.
To bring this project to life, Norman will work with Violet Palmer, MBA. Her company, Paul Bel Kay, works closely with Richard Vernon (the Mayor of Montego Bay), Mastercard and Bloomberg on its transformation into a smart city. Through collaborating with Violet and others, Norman will feature exclusive interviews with renowned individuals and community leaders in Jamaica.
“This film isn’t just about showcasing the historical connection, it’s about re-envisioning how we tell our shared story,” said Busigu, whose previous work has been praised by GQ South Africa claiming him as “Africa’s Modern Storyteller”. “By exploring Jamaica’s deep African roots and contemporary cultural expressions, we’re creating a new framework for understanding the global Black experience.”
Building on the themes explored in his previous documentaries, this Docu-Film will employ groundbreaking drone photography and archival footage restoration techniques to bring historical sites and modern cultural venues to life. For this project, Busigu is partnering with local production company Cab Concepts to ensure the historical accuracy and cultural sensitivity throughout the picture remain intact.